Overlooking the wintry white fields, their avenues of frozen yellow stalks and the ivory covered river, there is a winding track upon the face of the river as though a snowmobiler rode upon the ice and snow. But the track is too elliptical, too perfect. It is too incomplete and thus impossible to reflect a passage other than what was probably no more than the superficial effect of an undercurrent of water following the submerged perimeter of the weeds and earthen shoreline below. It is a design of an artist’s hand upon the snowy canvass, a wisp of shadow within the white, a sudden apostrophe with an abrupt and inconsequential ending.