Fences have forever intrigued me, whether poetically (“Good fences make good neighbours“) or artistically as beautiful rustic or architectural images. Symbolically fences have lately acquired a distinct and often distasteful political tone connected with border walls to keep immigrants and refugees out of the United States of America. The construction of that wall has similarly garnered further toxic political attention following presidential aspirant Trump’s promise to have it built then paid for by Mexico (both of which intentions have evaporated and never been fulfilled).