It was a Seagram’s bottle bag which I used to store my marbles when I was a child. Not surprisingly (to those who know me well) it was not the game of marbles which attracted me; rather, the marbles themselves. I liked the variety of colours and sizes, their universality, weight, endurance, singularity and ambivalence. Some were exceptionally beautiful. They were perhaps my first noticeable introduction to art. Storing them in the bottle bag may also have been my initiation to a developing need or desire for accumulation and its corollaries of segregation and demonstration. It amuses me that to this day I haven’t a single marble. I’ve literally lost my marbles.